The speech is also quite progressive… One such humorous dialogue is about homosexuality where Ketki asks Aditya where he is “Aadmi Hoon, Aadmi Se Pyaar Karta Hoon?”
There are tongue-in-cheek dialogues which in turn mock these stereotypes and it is quite satirical.
It (the film) showcases that there is a lot more to Gujarati culture than just plain ‘dandiya’ and ‘garba’ per se. Given that this is the first Gujarati road-trip film, this is one venture which breaks all other cultural stereotypes. There are an Aditya and Bipin that resides in all of us and after watching the Breaks Stereotypes Regarding Gujarati Culture This can be said about Chaal Jeevi Laiye as the movie’s concept is one which all of us can resonate with, regardless of what language we speak. For example, Wrong Side Raju is one movie that united regional and mainstream styles together due to rich content and people like Anurag Kashyap coming on board. In fact, other films have already broken glass ceilings of being in the Gujarati language. However, the most brilliant aspect of Chaal Jeevi Laiye is that it is not solely restricted to that platform a regional movie. Despite it being a self-discovery story in the backdrop of a father-son relationship, it is one which strikes a chord with the audience. Moreover, the story itself is quite unique. Though there is a strong Hindi cinema feel to the film, which makes it very easier for the general Indian audience to enjoy and relate to it. As a Bollywood enthusiast, I feel the movie has a very strong Rajkumar Hirani feel to the film and the banter/dynamic between the parent and child reminds me of 102 Not Out/Piku and I mean this in a good way.
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